For focusing, the D-SLR has 9 points (center dual-cross type) with 10 assist points. The A900 has an ISO range of 200-3200 with 6400 available as a custom setting. Let’s get into some of the nitty-gritty specs. Either one is a marvel-and marvelous should be the word when you pay this kind of cash for a camera. The Canon Mark III also does 5 fps for up to a dozen files before catching its breath. Since the camera has two BIONZ processors, you can take bursts of 5 frames per second up to a maximum of 12 when you’re in RAW mode, the finest quality. I remember not too long ago when 4000 x 3000 for 12MP digicams was a big deal. Hold onto your hats-since this is a 24.6-megapixel camera it takes 6046 x 4032 pixel files. It’s not Fashion Week in Manhattan but we did get a chance to play with the camera and a variety of lenses. so we could walk among the animals for cutesy pictures as well as examine the architecture of stone barns while checking out blooming flowers and vegetables. Sony took us to a farm in Westchester County, N.Y. There is a mini HDMI port so you can check out the images on a HDTV as well as USB 2.0 out for downloading images if you don’t use a card reader. Also of note is the very bright viewfinder with 100 percent field coverage. Of course, there’s a four-way control with center set button. It’s a good screen and the menus were legible and easy to follow. The rear of the camera is dominated by a 3-inch LCD screen rated 920K pixels. You can create three custom settings as well. On the top left is a basic mode dial offering the usual settings-Auto, Program AE, Aperture- and Shutter-Priority and full Manual. On the right side near the shutter are dedicated keys for exposure compensation, drive, white balance and ISO. It uses CompactFlash and Memory Stick Pro Duo media I popped in a 4GB Sony UDMA compliant card with a zippy 45 MB/s write speed. The top of the camera is nicely laid out with a small LCD status screen showing battery strength, shutter speed, aperture and number of images left. On the right side is a substantial grip with shutter button on top along with a jog wheel for fine-tuning adjustments. Once you get it to your liking, you then reframe the shot and click away. At this point you can make a wide variety of adjustments such as dynamic range optimization, white balance and so on. When you frame a shot, you hit this button and you’ll see a preview of the shot on the 3-inch LCD. Also on the front is a switch to change focus mode and one very cool button-Intelligent Preview-which is also the depth of field preview key. By comparison the 21.1MP Mark III is 6.1 x 6.3 x 3.1 and weighs 42.5 ounces without battery, a huge difference.Īs with every D-SLR, the most prominent front feature is the lens opening Sony alphas have a bayonet mount that accepts Sony and older Konica Minolta AF lenses. The A900 measures 6.1 x 4.67 x 3.25 (WHD, in inches) and weighs 30 ounces without the battery. Surprisingly there’s not even a hint of 24.6 megapixel imager safely tucked within. In other words, it looks like a high-priced black D-SLR with a textured finish and an orange alpha icon on the front. The A900 has the familiar look of the alpha series. The DSLR-A900 looks beefy but it’s not nearly as impressive as the Mark III, but these cameras are targeted to two very different audiences (true pros and enthusiasts).
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